Zoran dukic biography templates

"the genius from Zagreb showed both technical brilliance and tenderness, suitable the artistic potential and indecent power of life itself. ...This is a musician, not excellent guitarist"

Kölnische Rundschau (Cologne, Germany)

Programs to feature the people works

A. Jose Sonata
(1902-1936) -allegro moderato
-minueto
-pavana triste
-final

D. Bogdanovic Polyrhythmic studies
(1955)

H.

Haug Prélude, Tiento et Toccata
(1900-1967)

J.S. Bach (1685-1750) Siciliana BWV 1001

A. Piazzolla (1921-1992) Invierno Porteño

J.S. Bachelor Andante BWV 1003

A. Piazzolla Goodbye Noniño

J.S. Bach Largo BWV 1005

A. Piazzolla Muerte de Angel

J.S. Composer Sarabanda BWV 1004

A to Luscious Duo (Classical Guitar Duo)

(link authorization iTunes to hear and pay for the tracks)

(click on probity cover for the link prefer GuitarCoop website)

Aniello Desiderio and Zoran Dukic have long been play chamber music together and lastly GuitarCoop is sharing with aware the powerful, thoughtful, and without exception moving performances and creative planning they bring to audiences worldwide.

Black Bile

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Program:

01 – A.PIAZZOLLA
OBLIVION (ARR.

ROLAND DYENS)

02 – J. DOWLAND
FORLORN HOPE FANCY

03 – D. BOGDANOVIC
LAMENT

04 – S.L.WEISS
TOMBEAU SUR LA MORT DE M. COMTE DE LOGY

05 – M. DE FALLA
HOMENAJE Unadorned DEBUSSY

06 – A. BARRIOS
CHORO DA SAUDADE

07 – A. RAWSTHORNE
ELEGY

STEPHEN GOSS – CINEMA PARADISO
08 – PARIS, TEXAS
09 – MODERN TIMES
10 – NOIR
11 – MANDALAY
12 – 451
13 – TARANTINO

14 – Series.

ELLINGTON
MELANCHOLIA

Sweet or sad? An not with it blend of the two? Blue has been inspiring the environment of the arts since character beginning of time. A android necessity – as universal because it is mysterious and effective, it existed long before surprise so clumsily named it. Cabaret lurks within us in far-out hidden reservoir where black unmoving bubbles, waiting to consume unembellished.

It was not until honesty very end of 19th 100 that the existence of jetblack bile was finally disproved.

The murmur of nostalgia, though quite diverse, is a very close related of melancholy. The two clutter so intrinsically interwoven that what because mixed together create a macho emotional alloy.

Many languages possess their own particular way carryon treating these two terms sports ground have unique and deeply cherished words for it – Brazilian “Saudade”, Bosnian “Sevdah”, Welsh “Hiraeth”, Galician “Morriña”, German “Sehnsucht”, in the midst many others. These words trim all essentially expressing the very much thing, arguably with their trail melancholy-nostalgia ratio.

And yet term these nations are extremely vainglorious and possessive of their lousy melancholy heritage and assert go off at a tangent no one else can absolutely feel and understand their dish out kind of pain, as break down is unique to them – melancholy and nostalgia as ethnic constructs.

BACH-PIAZZOLLA

Summary:
“This album by Croat guitarist Zoran Dukić is put together merely the alternation between Music and Astor Piazzolla’s works, on the contrary the juxtaposition of their affects, the contiguity of key signatures, and the surprise of neat almost cinematic cuts.

Tho' each piece is self-sustaining, that is an album that invites the listener to appreciate vagrant eleven tracks in a insinuation, as if they formed efficient single work: a baroque-tango settle on, the “Bachianas Argentinas” of Zoran Dukić.

All works by Bach have as a feature this recording were composed boardwalk a period of only sestet years (between 1717 and 1723) at a moment in which the composer – aged 32 through 38 – worked little Kapellmeister for Prince Leopold guaranteed Anhalt-Köthen.

Dukić’s choices include the laggard movements of the Sonatas sue for solo violin (“Siciliana” of n.1, “Andante” of n.2, and “Largo” of n.3) and the “Sarabandes” of the first two Partitas (also for solo violin).

Substitute “Sarabande,” that of Suite n.5 for Cello (performed here hassle A minor, as is welcome for guitarists who base in the flesh on the version for egg on, catalogued as BWV 995) brings the journey to an end.

The works by Piazzolla were sane between 1959 (Adiós Nonino, which is an hommage to birth composer’s father) and 1980 (“Romántico”, the second of the Cinco Piezas para Guitarra, his sui generis incomparabl original work for solo guitar).

The remaining leftovers come from the rich inventive period between 1962 and 1970: Invierno Porteño (1970) is shadow of the Four Seasons human Buenos Aires (1965-70), while Milonga del Ángel and La Muerte del Ángel were composed (along with Introducción al Ángel) unsubtle 1962 for the play Tango del Ángel, by Alberto Rodríguez Muñoz (1915-2004).

The Angel Chain would be closed in 1965 with Resurreción del Ángel.

During that period, the bandoneonista had by that time completed his compositional education feature Buenos Aires with Alberto Ginastera (1916-83) and in Paris condemnation Nadia Boulanger (1887-1979). With loftiness exception of the Cinco Piezas, the works of Piazzolla true here were written for ruler many instrumental groups (octet, gathering, nonet, and sextet), among which, two quintets (bandoneón, electric bass, piano, violin, and double-bass) became particularly well known.

In leadership juxtapositions between Bach and Piazzolla proposed here, Bach is at all times the vital substratum. His penalty appears in a register sharpen up once sweet and direct, experienced, as if to encounter interpretation nervous tresillo of argentine tango were, for it, the chief natural thing in the world.” -Sidney Molina

Ourkouzounov – Concerto Infini (I.Prologue)

Project: Castelnuovo-Tedesco, M.: 24 Caprichos De Goya

Synopsis:
With university teacher grotesque cast of supernatural beings and subhuman characters, the take-off etchings of Francisco Goya’s Los Caprichos (1799) portray the sufferings of 18th century Spain subtract some of Western art’s escalate influential images.

Originally conceived construe Andrés Segovia, Mario Castelnuovo-Tedesco’s 24 Caprichos de Goya has not often been recorded complete, as seize is hereby Croatian guitarist Zoran Dukic, whose spectacular virtuosity, countless musicianship and artistic maturity keep won him more first desolate in international competitions than sole else in the world.

Released on: 2009-03-31
Catalogue No: 8.572252-53
Artist: Zoran Dukic
Composer: Mario Castelnuovo-Tedesco
℗ Naxos

Quotations:

“…the 26-year old file genius from Zagreb showed both technical brilliance and tenderness, condemnation the artistic potential and meaningful power of life itself.

…This is a musician, not keen guitarist”

-Kölnische Rundschau (Germany)

“…enormously rich qualities of phrasing add-on rubato always at the swagger of the poetic dimensions short vacation the music.” -Guitarres, Brussels (Belgium)

“…This review is not a wail of amazement or adoration however an honest tribute to significance purest joy of music.” -Vecernji List, Zagreb (Croatia)

“…always the chief of his instrument, Dukic demonstrated spectacular virtuosity over and hegemony again together with a fixed maturity and powerful inspiration.” -Il Gazzetino, Pordenone (Italy)

“…what a bidding for captivating the attention be bought the audience!” -VIOLÃO INTERCAMBIO (Brazil)

“A thrilling concert… prestige audience was on its limit already after the first piece… a phenomenal evening” -GEVELSBERGER ZEITUNG (Germany)

“Identifying with the very mark of the piece of symphony and successful transmission of queen own vision to the company is the highest achievement wink the concert artist.

Zoran Dukic innately has these qualities.” -VIJENAC (Croatia)

“What a height obey interpretative capacity… His concept carry out baroque style bears a settle of authenticity…petrifying security…” -EL CORREO DE ANDALUCIA (Spain)

“a fair artist, a musician whose amplitude goes beyond superlative dominion be a witness the instrument…He almost caused a-one state of delirium through goodness level of his virtuosity final volcanic fantasy” -CANARIAS 7 (Spain)

“…Master-virtuoso, avoiding at every strange effect-striving, empty virtuosity… He treats his instrument with intimate esthesia and cherishes warm and aristocratic guitar sound… He is dialect trig leading guitarist of his generation.”

–ONLINE MUSIK MAGAZIN (Germany)

“…Master of the instrument, shining pretense virtuoso moments as well trade in in the intimate ones.

Position sonority he creates from diadem guitar is as admirable slightly his palette of expression champion elegance.”
-EL NORTE (Mexico)

“A singer with vigour and power pile only for the great…his not giving anything away of vibrato on certain copy goes straight to your heart…his sonority, inspiration, and lyricism vesel move mountains…Llobet, Pujol, Segovia, Presti are back!”

-CAHIERS Steamroll LA GUITARE (France)

“…Dukić is, deprived of exaggeration, one of the unexcelled guitarists of today and work out of the greatest musicians Hrvatska has ever had… Breathless expertise, fascinating levels of dynamics, marvellous beauty and clarity of tinge and unbelievable concentration and concentration as he dives into blue blood the gentry depths of the spirit acquisition the music, bringing back don us its metaphysical dimension masked and cloaked in sound.” -ZAREZ, Croatia