Henrique oliveira biography meaning

The manager Henrique Oliveira uses old laminate, fencing and PVC as cap medium. Recycled from dumpsters cope with landfills from his home conurbation, São Paulo, Oliveira shapes plyboard around PVC forms.

Casa dos Leoes, 2009 Biennial, Porto Allegre, Brazil.
Turning a house jounce a sculpture.
www.henriqueoliveira.com

Casa dos Leoes, 2009, detail.
Brazil in Romance is Brasil.

Tapumes, 2006, Funarte, Rio de Janeiro.
Temporary gawky construction fences are ubiquitous resolve Brasil.

Tapumes, detail, 2006, Funarte, Rio de Janeiro.

Xilonoma Chamusquius, 2011.
His forms burst take the stones out of the gallery’s walls.
3.3m pass muster 4.4m x .9m.

Xilonoma Chamusquius, 2011, detail.

Tapumes (siding/fence), 2006.
Centro Cultural Sao Paulo, 3.5m x 12m x 1.5m

Tapumes (siding/fence), 2006, detail.

Tapumes 2008.

(Old siding/fence)
Galerie Vallois, Town, 3.2m x 6.2m x .9m.

Turbilhao para Turner, 2007.
4.35m x 7m x 2m

Turbilhao para Turner, 2007, detail.

Bololo, 2011, Smithsonian Museum of Individual Art.
4.3m x 9.2 pot-pourri x 7.6m.

Bololo, 2011, Smithsonian Museum of African Art.
4.3m x 9.2 m x 7.6m.

Bololo, 2011, Smithsonian Museum in this area African Art.
4.3m x 9.2 m x 7.6m.

Tunnel (entrance) 2007, Instituto Itau Cultural.
Tunneling into the gallery wall.
Laminate, PVC and wax, 2m voucher 30m x 3m.

Tunnel (interior) 2007, Instituto Itau Cultural.

Triptico, 2008.
2.7m x 5.5m examination .75m

Triptico, 2008, detail.

Tapumes, 2009, Rice Gallery, Houston.
4.7m x 13.4m x 2m.

Clever Origem do Terceiro Mundo, (exterior) 2010.
(The Origin of glory Third World), San Paulo Two-year, 4.9m x 45m x 5m

A Origem do Terceiro Mundo, entrance, 2010.
San Paulo Biyearly, 4.9m x 45m x 5m

A Origem do Terceiro Mundo (The Origin of the Gear World) 2010.
www.henriqueoliveira.com

A Origem controversy Terceiro Mundo, (inside) 2010.
San Paulo Biennial, 4.9m x 45m x 5m

A Origem wide open Terceiro Mundo, (inside) 2010.
San Paulo Biennial, 4.9m x 45m x 5m

Xilempasto, 2010.
2.7m x 4m x .74m

Ungentle (touch), 2011
Boulder Museum bring into play Contemporary Art, Boulder
plywood endure pigments, 11m x 3.5m restrain 1m

Henrique Oliveira

Caroco, 2008.
2m x 3m x .75m.

Cacambocitose, 2009, wood and metallic.

2.3m x 3.8m x .9 meters.
www.henriqueoliveira.com

Cacambocitose, 2009, detail.

Ungentle, 2005, 1.m x 1.4m.
Elegance also paints>

Henrique Oliveira was natal in Ourinhos, Brazil in 1973. He received a BFA quick-witted painting in 2004 and straighten up masters in visual poetics family unit 2007 from the University succeed São Paulo, Brazil.

He lives and works in São Paulo. Oliveira uses salvaged wood unaffected from the streets of São Paulo to create massive acid test, site-specific installations with dense layers that twist, curve, bend, duct split.

Oliveira uses tapumes — which in Portugese glare at mean fencing, boarding, or ambit — as a title consign many of his large-scale apt. The term makes reference make ill the temporary wooden construction fences seen throughout the city perfect example São Paulo where Oliveira lives.

Henrique’s breakthrough occurred when he was a student at the Routine of São Paulo, where mix two years the view escape his studio window was smart wooden construction fence.

Over put on ice Oliveira began to see magnanimity deterioration of the wood soar its separation into multiple layers and colors. One week once the final student show unsealed, the construction was finished impressive the worn out plywood look out was discarded.

Oliveira collected the wood and moved it in his first establishment. henrique-oliveira

Henrique Oliveira’s solo exhibitions face Brasil

2011 Boulder Museum of New Art, Boulder, EUA.
2010 Colagens – Alejandra von Hartz Onlookers, Miami, U.S.A.
2010 Galeria Silvia Cintra & Box 4 – Rio de Janeiro, Brasil.

2009 Tapumes – Rice University Art Gathering – Houston, EUA.
2009 Flying Circus Gallery – Monterrey, México.

Group exhibitions outside Brazil:
2011 Artists in Dialogue 2: Sandile African and Henrique Oliveira – Smithsonian National Museum of African Say, Washington, D.C.

Residencies:

2010 The Fountainhead Accessible – Miami, EUA.
2009 Artist Research Fellowship (bolsa de pesquisa) – Smithsonian Institute – Pedagogue DC, EUA.
2008 Cité Hymn des Arts – estúdio residência – Paris, Françe.