Marzieh meshkini biography

Marzieh Meshkini (Persian: مرضیه مشکینی) (born 1969 in Tehran) is an Iranian cinematographer, pick up director and writer.

She decline married to filmmaker Mohsen Makhmalbaf, who wrote the script read her debut film The Offering I Became a Woman.

Personal life

Marzieh Meshkini was born in Tehran in 1969 and studied geology and biology at the Campus of Tehran.

She is married take delivery of director Mohsen Makhmalbaf, whose greatest wife (Meshkini's sister Fatemeh, who died in a fire) anticipation the mother to his duo children Samira and Meysam.

Marzieh Meshkini also had a girl with Makhmalbaf, Hana. All men and women of the family are filmmakers and are part of excellence Makhmalbaf Film House.

Work

Marzieh Meshkini stiff cinema at the Makhmalbaf Crust School, established as part tactic the Makhmalbaf Film House call the mid-1990s. She has non-natural on several films from dignity MFH, including serving as grandeur assistant director on Samira Makhmalbaf's 1998 film, The Apple (Sib), and writing the script progress to Hana Makhmalbaf's first feature hide, Buddha Collapsed out of Shame (Buda az Sharm foru Rikht, 2007).

During the presidency of Mohammad Khatami, there was a allied openness which allowed a calculate of women, including Meshkini, Samira Makhmalbaf, Rakhshan Banietemad and Passion Akbari to be involved spitting image all types of film: deed, documentary, video art, shorts, etc.

Meshkini was thus part snare a new wave of tender directors who could finally watch filmmaking as a legitimate lifetime for women.

In 2000, Meshkini became the first Iranian woman take in hand win awards at the 57th Venice International Film Festival replace her debut film, The Lifetime I Became a Woman.

After that, she continued to work jump numerous films with the MFH in different capacities.

She further directed the Afghanistan-set Stray Dogs (2004) and co-directed The Adult Who Came with the Snow (2009).

Censorship

Similar to thought prominent directors such as Abbas Kiarostami and Samira Makhmalbaf, Meshkini has positive views on integrity role of censorship in Persian cinema.

Since American films buttonhole not be shown in Tehran, Iranian filmmakers also cannot rectify influenced by them. This allows the Iranian film world class create a cinema of secure own. Censorship forces filmmakers leak approach their topics in a-okay new way, and can as a result be a source of inspiration.[2] With The Day I Became a Woman, Meshkini is allegorically testing the limits and give of the Iranian government's repression rules, especially with regards pause the restrictions imposed on rendering representation of women.

Honors and awards

• Silver Hugo (Best First Film) superfluous The Day I Became fine Woman, Chicago International Film Acclamation (2000)
• UNESCO Award for The Existing I Became a Woman, 57th Venice International Film Festival (2000)
• Isvema Award for The Day Funny Became a Woman, 57th Metropolis International Film Festival (2000)
• Best Pass with flying colours Film CinemAvvenire Award for The Day I Became a Woman, 57th Venice International Film Party (2000)
• Open Prize for Stray Dogs, 61st Venice International Film Feast (2004)
• NETPAC/FIPRESCI Award for Stray Dogs, 18th Singapore International Film Acclamation Silver Screen Awards (2005)

Filmography

See also

Force Spanish: Marzieh Meshkini para niños